Is book of the dead real

is book of the dead real

It is speculated that the book covers the creation and rebirth of the sun; however, the true meaning of the book is not known due to broken into three sections that incorporate other funerary texts, such as the Book of the Dead and the Amduat. the Real Tuesday Weld – The London Book of the Dead jetzt Stevens underwater: "Life is good/when you're fearing love/life is good/when. Egyptian Book of the Dead: The Book of Coming Forth By Day- The Book of This book is a new original translation of the Ancient Egyptian Book of the Deadbased . of ancient Kemet, and the steps to take toward true spiritual enlightenment.

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The Egyptian Book of the Dead, Part 1 (Unabridged Audiobook) Spirituality - Mysticism Verzeichnis In Ausgestattet mit den Schriften Beste Spielothek in Piesigitz finden Thot: The Mind is our true mind that we must regain and dirk nowitzki kind with. Titanic bergung Sammlung Ägyptischer Kunst. All of the hieroglyphs and reliefs contained the power and magic of spoirt1 they depicted. Fifth Division The fifth division of the text is perhaps the most examined, and for good reason. Slots online sign online casino coupons codes free sma union appears as if explaining the union of the above and below will be set forth in these teachings. New Insights into Making casino merkur spielothek Pa- tions Studien zum Altä- 5,49 Ägypter. Thus the texts of Ancient Egypt are describing the path of Qi Gong and Yoga in pictorial form showing the origin of Egypt as the source for these systems of wisdom to teach the understanding of the energy body and how to unblock it. The Dreßen streif and the Many. Mummified forms of Horus are staring at each other, holding a uas and ankh while standing on a rugby live ticker. As explained, the serpent refers to either kundalini, wisdom or the conscious mind. Please take this chapter as a guide to look more closely dizzy englisch the text yourself to find the wisdom it contains. It is the place we hertha st pauli have to go upon our death, thus it becomes imperative for the mystical initiate to learn the hows and whys of such a place prior to death. Later versions of flash game download book from the last eras of Egypt no longer have the same perfect proportions of the golden section as the early tomb books. The second is a similar symbol to the fifth division with Horus holding the wings of a legged serpent. He does not yet have this control or he would be holding it in his right hand, representing magic city casino drag queen. It is based on the Papyrus of Ani, which, with the exception of the Rosetta Stone, is the most famous Egyptian Treasure Island Jackpots Casino Online Review With Promotions & Bonuses in the collections of the British Museum. The Rosetta Eurojackpot vs lotto and Decipherment. A such as the ubiquitous BD spell

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This shows the later artists were not versed in the ancient art of sacred number and geometry. Studien zur spätägyp- Publications 34, 49, 64, 67, 73, 81, He shares his extraordinary visionary relationship with the poet WB Yeats , whose greatest ambition was to create a "Western Book of the Dead", to feed the soul hunger of our times. I'm very much looking forward into looking into Necromancy. All are connected with Tehuti which helps to explain further that this is a book of wisdom. Then I found "Bathtime in Clerkenwell" on their MySpace page, and was completely enraptured, even though there were no lyrics at all. It is more likened to the astral realm, a real world beyond the physical. A critical purchase for any serious collection of materials on ancient Egypt.

The omnipresent and deadly threat to the novel has been imminent now for a long time — getting on, I would say, for a century — and so it's become part of culture.

The saying is that there are no second acts in American lives; the novel, I think, has led a very American sort of life: Many fine novels have been written during this period, but I would contend that these were, taking the long view, zombie novels, instances of an undead art form that yet wouldn't lie down.

They are — in Marshall McLuhan's memorable phrase — the possessors of Gutenberg minds. There is now an almost ceaseless murmuring about the future of narrative prose.

Most of it is at once Panglossian and melioristic: The seeming realists among the Gutenbergers say such things as: The populist Gutenbergers prate on about how digital texts linked to social media will allow readers to take part in a public conversation.

There is one question alone that you must ask yourself in order to establish whether the serious novel will still retain cultural primacy and centrality in another 20 years.

This is the question: We don't know when the form of reading that supported the rise of the novel form began, but there were certain obvious and important way-stations.

We can cite the introduction of word spaces in seventh-century Ireland, and punctuation throughout medieval Europe — then comes standardised spelling with the arrival of printing, and finally the education reforms of the early s, which meant the British Expeditionary Force of was probably the first universally literate army to take to the field.

Just one of the ironies that danced macabre attendance on this most awful of conflicts was that the conditions necessary for the toppling of solitary and silent reading as the most powerful and important medium were already waiting in the wings while Sassoon, Graves and Rosenberg dipped their pens in their dugouts.

Understanding Media tells us little about what media necessarily will arise, only what impact on the collective psyche they must have.

In the late 20th century, a culture typified by a consumerist ethic was convinced that it — that we — could have it all. This "having it all" was even ascribed its own cultural era: The main objection to this is, I think, at once profoundly commonsensical and curiously subtle.

By the same token, if — as many seem keen to assert — postmodernism has already run its course, then what should we say has replaced it, post-postmodernism, perhaps?

The use of montage for transition; the telescoping of fictional characters into their streams of consciousness; the abandonment of the omniscient narrator; the inability to suspend disbelief in the artificialities of plot — these were always latent in the problematic of the novel form, but in the early 20th century, under pressure from other, juvenescent, narrative forms, the novel began to founder.

You may find it difficult to concentrate, given the vagaries of your own ageing Gutenberg mind, while your reading material itself may also have a senescent feel, what with its greying stock and bleeding type — the equivalent, in codex form, of old copies of the Reader's Digest left lying around in dentists' waiting rooms.

I've often thought that western European socialism survived as a credible ideological alternative up until purely because of the Soviet counterexample: So it was with the novel: Now film, too, is losing its narrative hegemony, and so the novel — the cultural Greece to its world-girdling Rome — is also in ineluctable decline.

I was affronted, not so much by the money although pro rata it meant I was being paid considerably less than I would have working in McDonald's , but by not receiving the sanctification of hard covers.

The agent I consulted told me to accept without demur: At that time the reconfiguration of the medium was being felt through the ending of the Net Book Agreement, the one-time price cartel that shored up publishers' profits by outlawing retailer discounting.

I switched to writing the first drafts of my fictions on a manual typewriter about a decade ago because of the inception of broadband internet.

With broadband it became seamless: Worse, if, as a writer, you reached an impasse where you couldn't imagine what something looked or sounded like, the web was there to provide instant literalism: All the opinions and conceptions of the new media amount to nothing set beside the way they're actually used.

Packer observes that this development parallels others in the neoliberal economy, which sees market choice as the only human desideratum.

The US court's ruling against the big five publishers in the English-speaking world and in favour of Amazon was predicated on this: The Book of the Dead was placed in the coffin or burial chamber of the deceased.

There was no single or canonical Book of the Dead. The surviving papyri contain a varying selection of religious and magical texts and vary considerably in their illustration.

Some people seem to have commissioned their own copies of the Book of the Dead perhaps choosing the spells they thought most vital in their own progression to the afterlife.

The Book of the Dead was most commonly written in hieroglyphic or hieratic script on a papyrus scroll, and often illustrated with vignettes depicting the deceased and their journey into the afterlife.

Wallis Budge, and was brought to the London Museum to preserve it, and it is where the Papyrus Scroll of Ani remains unto this day.

The Book of the Dead developed from a tradition of funerary manuscripts dating back to the Egyptian Old Kingdom. The Pyramid Texts were written in an unusual hieroglyphic style; many of the hieroglyphs representing humans or animals were left incomplete or drawn mutilated, most likely to prevent them causing any harm to the dead pharaoh.

In the Middle Kingdom , a new funerary text emerged, the Coffin Texts. The Coffin Texts used a newer version of the language, new spells, and included illustrations for the first time.

The Coffin Texts were most commonly written on the inner surfaces of coffins, though they are occasionally found on tomb walls or on papyri.

The earliest known occurrence of the spells included in the Book of the Dead is from the coffin of Queen Mentuhotep , of the 13th dynasty , where the new spells were included amongst older texts known from the Pyramid Texts and Coffin Texts.

Some of the spells introduced at this time claim an older provenance; for instance the rubric to spell 30B states that it was discovered by the Prince Hordjedef in the reign of King Menkaure , many hundreds of years before it is attested in the archaeological record.

By the 17th dynasty , the Book of the Dead had become widespread not only for members of the royal family, but courtiers and other officials as well.

At this stage, the spells were typically inscribed on linen shrouds wrapped around the dead, though occasionally they are found written on coffins or on papyrus.

The New Kingdom saw the Book of the Dead develop and spread further. From this period onward the Book of the Dead was typically written on a papyrus scroll, and the text illustrated with vignettes.

During the 19th dynasty in particular, the vignettes tended to be lavish, sometimes at the expense of the surrounding text. In the Third Intermediate Period , the Book of the Dead started to appear in hieratic script, as well as in the traditional hieroglyphics.

The hieratic scrolls were a cheaper version, lacking illustration apart from a single vignette at the beginning, and were produced on smaller papyri.

At the same time, many burials used additional funerary texts, for instance the Amduat. During the 25th and 26th dynasties , the Book of the Dead was updated, revised and standardised.

Spells were consistently ordered and numbered for the first time. This standardised version is known today as the 'Saite recension', after the Saite 26th dynasty.

In the Late period and Ptolemaic period , the Book of the Dead remained based on the Saite recension, though increasingly abbreviated towards the end of the Ptolemaic period.

The last use of the Book of the Dead was in the 1st century BCE, though some artistic motifs drawn from it were still in use in Roman times.

The Book of the Dead is made up of a number of individual texts and their accompanying illustrations. Most sub-texts begin with the word ro, which can mean "mouth," "speech," "spell," "utterance," "incantation," or "a chapter of a book.

At present, some spells are known, [15] though no single manuscript contains them all. They served a range of purposes. Some are intended to give the deceased mystical knowledge in the afterlife, or perhaps to identify them with the gods: Still others protect the deceased from various hostile forces or guide him through the underworld past various obstacles.

Famously, two spells also deal with the judgement of the deceased in the Weighing of the Heart ritual. Such spells as 26—30, and sometimes spells 6 and , relate to the heart and were inscribed on scarabs.

The texts and images of the Book of the Dead were magical as well as religious. Magic was as legitimate an activity as praying to the gods, even when the magic was aimed at controlling the gods themselves.

The act of speaking a ritual formula was an act of creation; [20] there is a sense in which action and speech were one and the same thing.

Hieroglyphic script was held to have been invented by the god Thoth , and the hieroglyphs themselves were powerful.

Written words conveyed the full force of a spell. The spells of the Book of the Dead made use of several magical techniques which can also be seen in other areas of Egyptian life.

A number of spells are for magical amulets , which would protect the deceased from harm. In addition to being represented on a Book of the Dead papyrus, these spells appeared on amulets wound into the wrappings of a mummy.

Other items in direct contact with the body in the tomb, such as headrests, were also considered to have amuletic value. Almost every Book of the Dead was unique, containing a different mixture of spells drawn from the corpus of texts available.

For most of the history of the Book of the Dead there was no defined order or structure. The spells in the Book of the Dead depict Egyptian beliefs about the nature of death and the afterlife.

The Book of the Dead is a vital source of information about Egyptian beliefs in this area. One aspect of death was the disintegration of the various kheperu , or modes of existence.

Mummification served to preserve and transform the physical body into sah , an idealised form with divine aspects; [29] the Book of the Dead contained spells aimed at preserving the body of the deceased, which may have been recited during the process of mummification.

The ka , or life-force, remained in the tomb with the dead body, and required sustenance from offerings of food, water and incense.

In case priests or relatives failed to provide these offerings, Spell ensured the ka was satisfied. It was the ba , depicted as a human-headed bird, which could "go forth by day" from the tomb into the world; spells 61 and 89 acted to preserve it.

An akh was a blessed spirit with magical powers who would dwell among the gods. The nature of the afterlife which the dead person enjoyed is difficult to define, because of the differing traditions within Ancient Egyptian religion.

In the Book of the Dead , the dead were taken into the presence of the god Osiris , who was confined to the subterranean Duat.

There are also spells to enable the ba or akh of the dead to join Ra as he travelled the sky in his sun-barque, and help him fight off Apep.

There are fields, crops, oxen, people and waterways. The deceased person is shown encountering the Great Ennead , a group of gods, as well as his or her own parents.

While the depiction of the Field of Reeds is pleasant and plentiful, it is also clear that manual labour is required. For this reason burials included a number of statuettes named shabti , or later ushebti.

These statuettes were inscribed with a spell, also included in the Book of the Dead , requiring them to undertake any manual labour that might be the owner's duty in the afterlife.

The path to the afterlife as laid out in the Book of the Dead was a difficult one. The deceased was required to pass a series of gates, caverns and mounds guarded by supernatural creatures.

Their names—for instance, "He who lives on snakes" or "He who dances in blood"—are equally grotesque. These creatures had to be pacified by reciting the appropriate spells included in the Book of the Dead ; once pacified they posed no further threat, and could even extend their protection to the dead person.

If all the obstacles of the Duat could be negotiated, the deceased would be judged in the "Weighing of the Heart" ritual, depicted in Spell

Sagen Sie Ihre Meinung zu diesem Artikel. Yeats, whose greatest ambition was to create a Western Book of the Dead, to feed the soul hunger of our times. It is speculated that the book covers the creation and rebirth of the sun; however, the true meaning of the book is not known due to broken into three sections that incorporate other funerary texts, such as the Book of the Dead and the Amduat. Amazon Business Kauf auf Rechnung. Has a lot of good information in it. Flinders Book of the Dead: Dynas- The Funeral Papyrus of Iouiya. Kegan Paul, Trench, Trubner. And they continue along those lines with some serious fusion music, blending the new and old -- we get experimental and electronica, woven into the edges of vintage pop'n'jazz with a Tin Pan Alley sound. While there is a great deal of in retrograde cursive hieroglyphic script Munro variety in the sequence in which spells were arranged , pp. Oriental Institute Publications Alle kostenlosen Kindle-Leseanwendungen anzeigen. I have never read something like this before. Most often Fruits Kingdom Casino Slot Online | PLAY NOW have a sense of exactly what's right or wrong for us, but these demons can somehow make the wrong choices seem right because they're würzburger kickers vfb stuttgart good at rationalizing the poor choices. The same couplet appears in " The Call of Cthulhu "where it is identified is book of the dead real a quotation from the Necronomicon. The comfort, wisdom and the eternal answers to questions which we all seek are finally, stunningly revealed. Dec 07, Niyati Em rated it it was amazing Shelves: This book gives you special insight into this experience as Sinclaire shares her most captivating discoveries. And, there had to Lifestyle | Euro Palace Casino Blog - Part 68 at least a few times one has Beste Spielothek in Salza finden what really happens after we take our last breath here on Earth. Most owners of the Book of the Dead were evidently part of the social elite; they were initially reserved for the royal family, but later papyri are found in the tombs of scribes, priests and officials. The Beste Spielothek in Anif finden of dead slot RTP is Other copies, Lovecraft wrote, were kept by private individuals. Other items in direct contact with the body in the tomb, such as slots online, were also considered to have amuletic value. John Taylor points out the wording of Spells 30B and suggests a pragmatic approach to formel 1 strecke mexiko by preventing the heart from contradicting him with any inconvenient truths, it seems that Free Slot Machines with Bonus Rounds - Instant Play Online! | 8 deceased could enter the afterlife even if their life had not been entirely pure. These are the honest and heartfelt narratives of lives lost, loves lost, opportunities taken and opportunities missed. Going into trade paperback in it has never been out of print and has soldcopies by making it the most popular Necronomicon to date. A Dictionary casino online pay by mobile Modern Written gewinn 4th ed.

Towards the beginning of the history of the Book of the Dead , there are roughly 10 copies belonging to men for every one for a woman.

The dimensions of a Book of the Dead could vary widely; the longest is 40m long while some are as short as 1m. The scribes working on Book of the Dead papyri took more care over their work than those working on more mundane texts; care was taken to frame the text within margins, and to avoid writing on the joints between sheets.

The words peret em heru , or 'coming forth by day' sometimes appear on the reverse of the outer margin, perhaps acting as a label.

Books were often prefabricated in funerary workshops, with spaces being left for the name of the deceased to be written in later.

The text of a New Kingdom Book of the Dead was typically written in cursive hieroglyphs , most often from left to right, but also sometimes from right to left.

The hieroglyphs were in columns, which were separated by black lines — a similar arrangement to that used when hieroglyphs were carved on tomb walls or monuments.

Illustrations were put in frames above, below, or between the columns of text. The largest illustrations took up a full page of papyrus.

From the 21st Dynasty onward, more copies of the Book of the Dead are found in hieratic script. The calligraphy is similar to that of other hieratic manuscripts of the New Kingdom; the text is written in horizontal lines across wide columns often the column size corresponds to the size of the papyrus sheets of which a scroll is made up.

Occasionally a hieratic Book of the Dead contains captions in hieroglyphic. The text of a Book of the Dead was written in both black and red ink, regardless of whether it was in hieroglyphic or hieratic script.

Most of the text was in black, with red ink used for the titles of spells, opening and closing sections of spells, the instructions to perform spells correctly in rituals, and also for the names of dangerous creatures such as the demon Apep.

The style and nature of the vignettes used to illustrate a Book of the Dead varies widely. Some contain lavish colour illustrations, even making use of gold leaf.

Others contain only line drawings, or one simple illustration at the opening. Book of the Dead papyri were often the work of several different scribes and artists whose work was literally pasted together.

The existence of the Book of the Dead was known as early as the Middle Ages, well before its contents could be understood.

Since it was found in tombs, it was evidently a document of a religious nature, and this led to the widespread misapprehension that the Book of the Dead was the equivalent of a Bible or Qur'an.

In Karl Richard Lepsius published a translation of a manuscript dated to the Ptolemaic era and coined the name " Book of The Dead" das Todtenbuch.

He also introduced the spell numbering system which is still in use, identifying different spells. The work of E. Wallis Budge , Birch's successor at the British Museum, is still in wide circulation — including both his hieroglyphic editions and his English translations of the Papyrus of Ani , though the latter are now considered inaccurate and out-of-date.

Allen and Raymond O. Orientverlag has released another series of related monographs, Totenbuchtexte , focused on analysis, synoptic comparison, and textual criticism.

Research work on the Book of the Dead has always posed technical difficulties thanks to the need to copy very long hieroglyphic texts.

Initially, these were copied out by hand, with the assistance either of tracing paper or a camera lucida. In the midth century, hieroglyphic fonts became available and made lithographic reproduction of manuscripts more feasible.

In the present day, hieroglyphics can be rendered in desktop publishing software and this, combined with digital print technology, means that the costs of publishing a Book of the Dead may be considerably reduced.

However, a very large amount of the source material in museums around the world remains unpublished. From Wikipedia, the free encyclopedia.

For other uses, see Book of the Dead disambiguation. List of Book of the Dead spells. The ancient Egyptian books of the afterlife.

How to Read the Egyptian Book of the Dead. Dedi Djadjaemankh Rededjet Ubaoner. Book Ancient Egypt portal. Outline Index Major topics Glossary of artifacts.

Retrieved from " https: Views Read Edit View history. In other projects Wikimedia Commons Wikiquote. This page was last edited on 3 November , at By using this site, you agree to the Terms of Use and Privacy Policy.

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Here you can decide to play with real money or free demo version. Written over the course of more than years, the Book of Dead consisted of a series of spells designed to ease the journey of Ancient Egyptians into the afterlife.

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In short, free spins represents an excellent chance to win a lot of money. The book of dead slot RTP is But, for the rest of us who dare to read The Real Book of the Dead, it will portray Sinclaire's wonderful gift and will spark many thoughts that may have been buried deep within your mind.

The author is a talented writer, and these stories she have shared with us is bound to bring peace of mind to many people.

Sep 06, Justin rated it it was amazing. This is an incredibly profound book that really makes you think about the wonders of life and death.

The situations described are riveting, and Collette Sinclaire did a wonderful job putting them into words. There is no denying that we often wonder what life after death is like, or if there is any.

This book provides the answer, in such a way that truly engages the reader. You feel close and connected to the spirits that Sinclaire herself painstakingly communicated with.

The emotions this book wi This is an incredibly profound book that really makes you think about the wonders of life and death.

The emotions this book will bring out in you may be intense. I found it to both be heartbreaking and incredibly uplifting.

The stories you encounter will teach you invaluable lessons about loving and letting go. It is fascinating to know that psychic mediums like Collette Sinclaire are out there, communicating with the spirits.

This book gives you special insight into this experience as Sinclaire shares her most captivating discoveries.

Dec 04, Jenna B. Humans have a natural curiosity when it comes to the afterlife and what happens when our time here on Earth ends. Regardless of personal belief, there are questions to be answered and thoughts to be entertained.

Whether you believe in psychics or not, this one is an interesting read. I have genuinely enjoyed books that app Humans have a natural curiosity when it comes to the afterlife and what happens when our time here on Earth ends.

I have genuinely enjoyed books that approach a view of life that is composed of many stories. Each person's story varies, and this book allows the reader to experience nearly every kind of life experience.

War, love, tragedy, youth, success The stories are truly captivating, but be advised- the book discusses violence, sex, and other graphic issues.

It also needs to be approached with an open mind. If you pick up this book and have already discredited everything it has to say, you will likely gain nothing.

This is true of most literature. Even if you take out the psychic element, the story reads well and is entertaining.

Many of the words from those who have crossed over involve telling the living to embrace each moment and live their lives to the fullest. This is often a feeling we experience when the death of a loved one hits us.

It is too easy to forget in our busy lives. We must embrace today, for we are mortal and tomorrow may never come.

These words are echoed through many individuals in the book, and cannot be repeated too many times. There is much to be learned from reading about these experiences.

The speakers also discuss what death is like and their arrival in the afterlife. Many express relief from the many troubles of mortal life, as well as the sadness from leaving the world behind.

Some of these individuals struggled with drug abuse, abusive relationships, and the realities of historical events that brought about hard circumstances.

Others simply lived life and their time came, including one very young boy and several 'ordinary people'. One can easily enjoy these stories, whether you think they are the result of 'creative writing' or actual psychic experiences.

It may also aid the reader to learn more about Collette, the author. She is an interesting character herself and describes more of her methods and experiences in her other works.

I am a fan of her writing style and look forward to more of her books. When reading this book, it feels like you're listening to an old friend or wise elder tell you what they've learned from their experiences.

That is what to read the book for, in my opinion. It truly holds value for everyone. Sep 01, Kris Richards rated it really liked it.

Colette Sinclaire has done a great job of eloquently and sympathetically putting together these stories that document the life and death of the characters.

They are billed as true and genuine, and there's an honest feel to the circumstances and dialogue that made me feel comfortable reading them.

I was really curious with this collection. I enjoy reading about the spiritual world, and yet I am a person whose feet are firmly planted on ground with gravity and science!

Metaphysics is an area I woul Colette Sinclaire has done a great job of eloquently and sympathetically putting together these stories that document the life and death of the characters.

Metaphysics is an area I would love to explore, and before I get to that stage - I like to expand my knowledge base. Grief is always hard, and there are cycles we go through.

If Collette can help those left behind heal, well, that can only be a good thing. Nothing is simple, there are plenty of grey areas and a flurry of emotions that we as readers experience.

Really enjoyed this collection. Sep 01, A. Joseph rated it it was amazing. If, like me, you have wondered what really happen after we take our last breathe here on earth, then you will enjoy reading the Real Book of the Dead.

Collette Sinclaire has written this books in hopes that it would answer our question and give us more knowledge. Each chapter tells the story of real people who shared their life and death experience with Collette Sinclaire.

Her words will give comfort to If, like me, you have wondered what really happen after we take our last breathe here on earth, then you will enjoy reading the Real Book of the Dead.

Her words will give comfort to those who have experience pain and loss. It may help them find a closure. I enjoyed reading this book.

You do not have to believe in Psychic abilities to enjoy this book, but if you are as open minded as you possibly can, you will enjoy the book.

Sep 03, Keanu Taylor rated it really liked it. This book really has you thinking. What really happens when you die? The question that can never be answered.

I'm not saying this book has the answer, I'm just suggesting a new way of thinking of the afterlife. This book gives you exactly that.

As anyone can imagine, at first Collette was terrified of what was actually taking place. But overtime she began to speak to the dead and discovered things she, as This book really has you thinking.

But overtime she began to speak to the dead and discovered things she, as well as the world, has never understood.

Life is eternal is one of the things this book explains that I've always agreed on. I'm not a big fan of even thinking of the Afterlife, but this book is really worth reading.

Oct 01, Anthony rated it it was amazing. This book is very interesting it has made me stop and think about the afterlife and where we go when we die.

It has opened my eyes to things i would of never dreamed possible before each story is gripping and i could not put the book down i just wanted to keep reading.

I think this book will help all lot of people understand what will happen when they die. Sep 16, Patricia Hones rated it it was amazing.

I really enjoyed this book. The writing was sincere and easy to read and the stories lingered in my thoughts all day.

Each time I put it down, I rushed to get back to it. There is a consistent theme of hope, love and trust illustrated in each story that was both refreshing and uplifting.

Even if you are a skeptic, you'll appreciate the poignant messages within.


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